{"id":878,"date":"2021-02-08T15:17:48","date_gmt":"2021-02-08T15:17:48","guid":{"rendered":"https:\/\/estudioballoon.es\/?p=878"},"modified":"2021-02-08T15:17:53","modified_gmt":"2021-02-08T15:17:53","slug":"fuller-exhibition-smart-green-design","status":"publish","type":"post","link":"https:\/\/estudioballoon.es\/index.php\/2021\/02\/08\/fuller-exhibition-smart-green-design\/","title":{"rendered":"Fuller Exhibition \u00b7 Smart & Green Design"},"content":{"rendered":"\t\t
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Fuller Exhibition \u00b7 Smart & Green Design<\/h1>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\"Fuller<\/figure><\/div>
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Curiosidad Radical. En la \u00f3rbita de Buckminster Fuller<\/em><\/p>

Para algunos, el Da Vinci del siglo XX.\u00a0Richard Buckminster Fuller anticip\u00f3 de manera sorprendente algunas de las grandes crisis del siglo XXI.<\/em><\/p>

Visionario e investigador inclasificable, Fuller gener\u00f3 un cuerpo de trabajo inabarcable que cruza disciplinas como la arquitectura, la ingenier\u00eda, la filosof\u00eda \u200by la educaci\u00f3n, a trav\u00e9s de\u00a0una visi\u00f3n del dise\u00f1o como fuerza capaz de cambiar el mundo.\u200b Desde la movilidad y la vivienda, hasta la educaci\u00f3n y el uso de datos masivos, su pensamiento incluye cuestiones que la COVID-19 ha situado en el centro de la agenda mundial.<\/em><\/p>

La exposici\u00f3n invita a un viaje en torno a la figura del dise\u00f1ador, arquitecto, pensador, fil\u00f3sofo y visionario norteamericano, invitando a repensar el futuro e imaginar un mundo guiado por principios m\u00e1s sostenibles.\u00a0<\/em><\/p>

El dise\u00f1o expositivo<\/em><\/p>

Fuller estudia de forma obsesiva las reglas de la geometr\u00eda para materializar sus ideas. Detr\u00e1s de este sistema de pensamiento hay una figura que se repite, el tri\u00e1ngulo. Siguiendo sus pasos, y partiendo de este elemento, se desarrolla la propuesta de dise\u00f1o espacial.<\/em><\/p>

La distribuci\u00f3n de los \u00e1mbitos expositivos surge como fruto del di\u00e1logo entre el Dymaxion Map y la sala. A partir de los 20 tri\u00e1ngulos del icosaedro que forman esta novedosa representaci\u00f3n de la Tierra, desplegados en la sala, se genera una malla que se utilizar\u00e1 para dividir el espacio y dar forma a todos los dispositivos museogr\u00e1ficos. Esta malla triangular es la base de muchos de los proyectos de Fuller, desde las c\u00fapulas geod\u00e9sicas pasando por las 4D y Dymaxion Houses, o su libro tridimensional, el Tetrascroll, donde explica la geometr\u00eda del universo a partir del tetraedro.<\/em><\/p>

Dymaxion Chronofile<\/strong><\/p>

De todos los proyectos de Fuller, el m\u00e1s ambicioso fu\u00e9 la construcci\u00f3n de su propio mito. El Dymaxion Chronofile refleja mejor que cualquier otro proyecto el experimento en el que convirti\u00f3 su propia vida. Guard\u00f3 todos los documentos personales y profesionales producto de su actividad, radiografiando la evoluci\u00f3n de una sociedad en proceso de modernizaci\u00f3n al tiempo que se convierte en el archivo m\u00e1s detallado existente de la vida de una persona nacida en el siglo XIX.<\/strong><\/p>

Para expresar la magnitud del archivo, compuesto por hasta 140.000 documentos, se ha dise\u00f1ado una instalaci\u00f3n de bienvenida: un t\u00fanel triangular cuyas paredes, retroproyectadas y reflejadas en un suelo a modo de espejo, muestran una selecci\u00f3n digitalizada de esos documentos. La entrada a una de las vidas mejor documentadas de la historia.<\/strong><\/p>

Radical Curiosity. In the Orbit of Buckminster Fuller<\/strong><\/p>

For some, Fuller was the Leonardo da Vinci of the 20th\u00a0century.\u00a0Richard Buckminster Fuller (1895-1983) dedicated his life to finding solutions that would ensure that the world worked better for everybody. Through his thinking, he was able to anticipate some of the major crises of the 20th\u00a0century surprisingly accurately.<\/strong><\/p>

A virtually unclassifiable visionary and investigator, Fuller created a seemingly never-ending body of work that crossed over disciplines such as architecture, engineering, philosophy and education, through\u00a0a vision of design that was capable of changing the world. From questions of mobility and housing to education and the use of big data, his thinking included a number of questions that Covid-19 has put at the very heart of the world\u2019s agenda.<\/strong><\/p>

The exhibition\u00a0 examines Fuller from the perspective of the reality of 2020, at a confused and uncertain time in which we are experiencing a series of the systemic crises that Fuller considered for over sixty years.<\/strong><\/p>

The exhibition design<\/strong><\/p>

Fuller studied the rules of geometry obsessively in order to put his ideas into practice. One figure was returned to again and again in this system of thought; the triangle. Following his lead, the spatial design proposal was developed based on this element.<\/strong><\/p>

The layout of the exhibition areas is the result of dialogue between the Dymaxion Map and the space. The twenty triangles of the icosahedron making up this original representation of the Earth are unfolded to generate a mesh that is used to divide up the space and construct all the museological devices. This triangular mesh is the basis of a large number of Fuller\u2019s projects including the geodesic domes, the 4D and Dymaxion Houses, and his three-dimensional book, the Tetrascroll, in which the universe\u2019s geometry is explained using the tetrahedron.\u00a0<\/strong><\/p>

Dymaxion Chronofile Installation design<\/strong><\/p>

In 1917, at the age of twenty-two, Fuller decided to embark on an experiment that was to last until his death in 1983, in which he himself was the guinea pig. It consisted of creating an archive as detailed as possible of the life of a person born in 1895, which chronicled the world\u00b4s trans\u00adformation over the course of the new century.<\/strong><\/p>

Every day he collected and archived any personal docu\u00adment pertaining to his activities that had passed through his hands. Conserved at Stanford University, the 145,000 personal documents that comprises the Dymaxion Chronofile make Richard Buckminster Fuller\u2019s life one of the best documented in history.<\/strong><\/p>

To express the magnitude of this archive, we have designed a triangular rear proyected immersive tunnel showing a selection of these documents.<\/strong><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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